Convict Redemption

Dear Tim,

Here ’tis:

This whisky arrives on the front palate in a wave of sweet creme brulee toffee and vanilla, then opens to a profoundly oily/ velvetty mouth feel with nutty and oaky tones. The depth of flavour can only be described as ‘gigantic’. Progressing to the finish, one feels a rolling thunder of warm and satisfying alcohol with a level of satisfaction that defies the a.b.v. of the spirit. The lingering aftertaste provides hints of Christmas spices and candied orange peel peeking through the warm and creamy alcoholic glow of this weighty dram. A BIG BIG whisky that delivers its punch in soft velvet gauntlets. Astonishing!

MN

Convict Redemption

Australian Gourmet Pages Newsletter

Newsletter – Whisky News

March 2014

Heartwood Malt Whisky – Convict Redemption Batch 2

This is now the fourth review and story on Heartwood Malt Whisky featured on AGP. You’d be forgiven for thinking such exposure hints at favouritism or that the spotlight is focussing too closely on just one player. However, in a week where an Australian whisky just picked up “World’s Best Single Malt Whisky” at one of the most respected international whisky award shows on the planet, the opportunity to focus again what’s coming out of the Heartwood stable should not be dismissed.

For those unfamiliar with the name or the story, the executive summary is that Heartwood is an independent bottler of Tasmanian malt whiskies, headed up by Tim Duckett. Duckett has acquired casks from several distilleries, at various stages of maturation, and he treats and experiments with them in such a way that the final result and flavours are a long way removed from what the rest of the industry is producing.

Heartwood’s latest release – and the best to-date – is the Convict Redemption Batch 2.

The bottling has some interesting provenance, having been distilled by Bill Lark at Tasmania Distillery. Yes, that’s the distillery responsible for Sullivans Cove, the aforementioned award winner. Distilled in May 2001 and bottled in December 2013, it is a monster of a whisky, weighing in at an unbelievable 71.9% ABV.
The last two-three years have been watershed moments for Duckett, as his theories and experiments have begun to hold water. (Or, more accurately, lose water, judging by the increase in ABV!). Duckett readily acknowledges that some of his casks were nothing particularly special at the start of their journey, however, the treatment he gives the casks and the processes he undertakes to refine them is borne out of a combination initiative, inspired genius, happy accidents, and hard yakka. Trial and error goes a long way in the whisky game, and Duckett has tried all manner of steps and tricks to reduce the volatiles in his whiskies and coax out their goodness. And it’s clear that he’s learned what works and what doesn’t. “The early releases were good whiskies” he explains, “but if I knew then what I know now, they’d have been even better.” The experiments included leaving the casks in hot tin sheds over the Aussie summer (one of the reasons why water is evaporating before the alcohol and thus increasing the alcoholic strength); opening the decanting vat repeatedly to release the accumulated volatiles; and even holding back the release of each expression after initial bottling, so that the whisky can adjust to “bottle shock”. Those in the production end of the Scotch or bourbon industries would suggest there’s no such thing as bottle shock, but simple testing and tasting by Duckett demonstrate otherwise. And it’s that sort of “hands on”, head-first approach that is yielding amazing results.

And so to the Convict Redemption Batch 2. Duckett believes this is his best whisky yet, and this reviewer didn’t take much convincing to agree. Duckett’s ultimate whisky is one that he describes as a brontosaurus. If you picture the body shape, it’s small and narrow at the front, then builds to a huge, big, powerful middle, and then tapers off to a long tail or finish. The Convict Redemption Batch 2 achieves such a profile, and impressively so. Perhaps one of the most astounding things about this whisky is that, despite (or in spite?) of the ridiculously high ABV, there is not a hint of aggression.

The nose is instantly sweet. The cask in question was an ex-port French oak cask. 12 years is a fair old age for Australian whisky, and the years in wood have brought out spice, coffee, toffee, roasted nuts, dark chocolate, and sweet pastry notes.
The palate is – well, let’s not mince words – HUGE. One must never forget that whisky making is the art of producing flavoured alcohol. Hence, the more alcohol, the more flavour. In this instance, the palate explodes with big, powerful flavours that capture so many different categories and families of flavour. Sweetness? Check. Malty? Check. Spices? Check. Vanillins? Check. Oak? Check. Port influence? Check. Pleasant experience? Double check. If you’re not used to drinking cask strength or high alcohol spirit, then I concede this might be a bit too big for some, and perhaps be perceived as a bit hot by others. But one mustn’t confuse heat with aggression. To this palate, the experience was powerful, but wonderfully smooth. And for those that do need to bring down the strength, a few drops of water don’t go astray.

The key thing here is balance. There are too many whiskies being released presently – from all over the world – where the balance is lost or seen as a luxury. Big sherried whiskies have no sweetness to balance the tannins; grassy Speysiders have no malt or sweetness to balance the bitterness; and youthful drams have no oak to balance the volatile spirit. The Convict Redemption Batch 2 is the perfect example of how good a whisky can be when balance is achieved. The oak and the spirit combine rather than fight; the sweetness is balanced by spice, rather than being cloying or too saccharine; and the palate is complex rather than lopsided or one-dimensional.
However, to be a good whisky, the dram must have a good finish. In this instance, the brontosaurus’ tail is insanely long, yet is consistent with the body. This is a dram that leaves a mighty big footprint on your tastebuds – yet they’re all the more grateful for the experience!
Followers of Heartwood on Twitter were treated last week to some pictures and morsels of the next generation of Heartwood releases. They’re still quite a few months away, but come from casks of different provenance, distilleries, and production methods (including the use of peated malt!) The world can only get better!

Written by:
Andrew Derbidge

Thank you Andrew; In my opinion the Heartwood is the only Australian whisky I rate and the only Australian whisky I actually buy and drink.
Cheers
Franz Scheurer

Release the Beast

This review is of bottle 126/259 of the Heartwood ‘Release the Beast’ batch 1.

Heartwood is an independent bottler of Tasmanian whisky, with over 10,000 litres of the good stuff attempting to hit its straps in the unforgiving Australian climate, some of which is possibly the oldest Australian single malt whisky going around.

Heartwood is a project of possibly the number 2 guy in Australian whisky (behind his good mate, Bill Lark), Tim Duckett, who is extremely passionate about his product.

From the website: “We are there to determine the amount of peat used for production. We are there when the spirit is produced. We are there to select the barrel. We are definitely there to sample the whisky as it matures. We do not have commercial drivers. The quality of the whisky produced is the most important aspect of our endeavours. The whisky will be bottled when it is ready. If it is really, really, good, we might just keep it for ourselves (to be shared with friends).”

The distillate, produced at Lark distillery and influenced by Tasmanian peat, has been measured to a Sphagnum peat influence of 50%. Initially matured for 3 years in 2 separate 100 litre port casks, before being married for 4 years in a 200 litre Australian Sherry cask and bottled at a cool 65.4% ABV, there’s something mildly scary about sitting down to a glass of this.

It’s darker than any whisky I’ve ever tried, holding the bottle up to the light very little shines through the spirit, giving off a dim brown-maroon hue. This is for drinking right? Should I be wearing a hazmat suit?

To smell; to start – my high school woodwork class; wood shavings, sawdust, varnish, a sweet note intermingling. Then… Hold on a second… Holy crap, here come the port notes! Thick and juicy red fruit notes uppercut my nostrils! Motherflipper it’s big! The port sweetness just blew my nose off!!! The carpentry aromas take a back seat while the violence ensues.

After pulling myself back together, the nose eventually settles down, becoming more delicate and approachable. With the aid of a teaspoon of water I get – Red Vines, fruitcake, honeycomb, a touch of struck matches appears for a second (contributing to rather than hindering the experience), and Goanna Oil (medicinal oil for rubbing on sore muscles).

To taste; surprisingly soft, all recent events considered. Don’t get me wrong, this will still make the eyes water on first sip, but it’s very enjoyable and sweet. Sherry takes the lead then Port dries and rounds out. My nose knows better than my tongue so the best I can do is Cherry Ripe (on steroids of course).

Addition of water – becomes creamy, absolutely amazing mouth feel to this. The finish is a battle between the immense sweetness, and the obviously active cask, becoming slightly bitter, but excusably so.

It may be that the alcohol content has hit me for 6 (Australian whisky, had to throw in a colloquialism), but the bitterness reminds me of vegemite until the sweetness kicks in.

Truly unique, and mightily impressive, it’s not perfect, but it’s something to be bloody proud of Tim.

Tasting Notes by Chookster
http://www.connosr.com

Breaking all the rules

BREAKING ALL THE RULES

http://www.centurion-magazine.com/home/gourmet/interviews/heartwood-whisky-tim-duckett-interview.html

In conversation with Tim Duckett of innovative Heartwood Whiskies

Franz Scheurer
14 January 2014

Considering Australia is such a latecomer to whisky production, the country produces some serious drams. It does, however, seem a pity that everyone still follows the old-fashioned, proven methods, that no one has tried to find an Australian style. But wait – enter stage right, Tim Duckett and Heartwood Whiskies.

Tim Duckett is Australia’s first independent bottler, and although he doesn’t distil but rather buys new-make that he likes, he breaks all the rules of ageing and storing whisky, with the result that he produces what is easily the best Australian drams out there. And he’s incredibly consistent, too.

CENTURION: When and how did you start on this experiment?

Tim Duckett: I used to sit at the end of the university bar and drink a whisky then a glass of water and repeated that process all night, which meant I was drinking as much as everyone else, but managed to graduate. I always liked whisky, and when I was appointed to the Ben Lomond Advisory Committee (as I am an environmental scientist). Bill and Lyn Lark were involved as well, and they said they would make whisky – that’s when I said I would drink it. And that’s how we became friends. In 1999, several whisky barrels became available from Lark Distillery, and also the original Tasmanian Distillery, and I bought them as I could afford them. I only started producing my own whisky last year.

What makes yours different?

It’s the age of the whisky, it’s the strength of the whisky and we mature our whisky rather differently. I break all the rules, for instance, I will position the barrels next to a warm wall and some of my barrels are actually exposed to hours of sunlight each day. We use this method to drive off some of the aldehydes and volatile esters. They are not desirable, and we drive them off.

Then when we decant, we do this differently again: we pour the whisky into large stainless steel vats. They do have a lid, but it’s not tightly fitting and the whisky can breathe. We then leave it in there and go and check it every few days, and one day, usually after a couple of months, when you lift the lids all the volatiles will be gone. The nose is lovely and alluring, and that’s when you know the whisky is ready for bottling.

How would you describe your philosophy on whisky making?

A lot of the heavyweights in the industry describe whisky by mouth feel and mouth presence, not flavour. So I would like to think of my whisky as a Brontosaurus. It builds and builds, gets bigger and bigger, until it ends with a very long tail. So it’s that body shape I try to achieve when we produce my whiskies.

Where do you sell your whiskies?

Through specialist outlets, as there isn’t enough to go around and we have some rather obscure names (the people on our social media pages help us name some of the whiskies). If you want a bottle, you will find it.

Footnote by Franz Scheurer:

Let me say more or less diplomatically that I am no friend of Australian whiskies and have never found a dram worth drinking. This changed with Heartwood’s Mt. Wellington Release about 2 years ago, which convinced me that we finally had a world-class whisky in Australia. This release was subsequently followed by more releases and each and every one a cracker. I would now rate Heartwood amongst the world’s best and I love the fact that we finally have not only a great whisky, but a definite style.

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You wouldn’t want to disappoint Wally now, would you?